I have just returned home from Vancouver Island, British Columbia. I was attending a 5 day workshop with Jane Davies. The subject of the workshop was 'Monoprint Collage: the Dynamics of Working in Series'. The workshop was organized by
Vancouver Island Art Workshops. Mary Stewart and her husband Jim put a tremendous amount of time and effort into this workshop. The facility was well appointed, two big tables for each participant to work on and lots of refreshments and food. Mary also had several prize draws and gave us each a bottle of Dick Blick 'Celadon' acrylic paint (a favourite colour of Jane's) and a tube of acrylic paint from Kroma Artist's Acrylics.
I had purchased some of
Kroma Artist's Acrylics for this workshop. This is the first time I have used this brand of acrylic paint and I really like it. It printed well using the gelli plate and the colours are rich! Have put these on the the 'art supply' wish list.
I had taken Jane's online monoprint workshop so I knew there would be some repetition over the first couple of days and I was looking forward to the idea of working in a series and getting feedback and ideas/suggestions on how to move forward with my work.
Day 1 and 2 were spent making making a variety of collage papers using the
GelliArts gel plate. The paper we used is approximately an 80lb drawing paper. You can get some gorgeous papers layering colour, patterns and textures. We needed a variety of hues, values, high contrast and low contrast papers. We layered tone on tone, pattern on pattern, opaque and transparent. You could go on forever. For texturing - string, corrugated cardboard, texture plates - you are only limited by your imagination! We also started cutting masks and using stencils to create some interesting effects.
The afternoon of day 2 we spent experimenting with printing and collaging on the 80lb drawing paper.
Here is a very small sampling of some of the papers made during day 1 & 2.
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Tone on tone
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Phthalo turquoise mixed with glazing medium on plate, rolled out with brayer and printed |
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Patterned paper made with multiple colours of blue and multiple stencils/masks |
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Tone on tone paper, using texture plates
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Some of my favourite papers were those I used to clean my brayer off on and some rolling titanium white out on the residue left on the plate and then printing.
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Using titanium white over residue on plate and pulling the print. The curved shape had been printed on the paper first using a mask |
Stay tuned for Part 2 tomorrow!